Kevin Collins
Artist’s Statement
My world is a curious duality in which conforming has always been incredibly difficult however I am certainly never to be associated with the celebrated myth of the ‘tortured artist’. I paint what I am, which is really a positive, curious and highly personal (but I hope sufficiently universal for anyone to engage) journey. The small items that are embedded in my mind from years ago are still so vivid and vital although others a faded fragment.
To quote Francis Bacon’s words of “courting accidents”, my application of paint and mark making is often spontaneous and not particularly well planned – the joy of accidents in material and mark making is incredibly exciting for me.
At the grand age of 83, the renowned author and artist who made ‘Where the Wild Things Are” come to life, Maurice Sendak said:
“I can’t believe I’ve turned into a typical old man. I can’t believe it.” He smiles and his face transforms.
“I was young just minutes ago.”
Now I am twenty years younger than Maurice and yet I often feel that I was young only minutes ago.
Many of my ceramics, and especially those on show in this exhibition are inspired by the way children manage to live in fantasy and reality; how they move back and forth very easily in a way we no longer remember how to do as adults. I admire this ability.
Try it sometime, it is most liberating.
The work emerges from a lump of cold wet mud essentially and forms it’s persona as it moves across my work table. Seldom do I consider too carefully the final image but rather let them manifest on a whim the moment I start putting down the marks of underglaze.Biography
Kevin Collins studied under Stanley Pinker, Helmut Starke and Cecil Skotnes at Michaelis, UCT in the late seventies with painting as his specialisation. These men provided him with the basis of how he use colour, composition and actually lay the paint down: all of these learnings he has now ‘translated’ into his new medium of ceramics.
His subject matter is collected from years of travelling (many miles from the age of three) and making small sketches and picking up little bits of visual imagery from packaging, transport tickets, and sweet wrappers - from Mandalay to Dharamsala. Some imagery emerges from his childhood and early and continued love of illustrated story books.
After graduating, he worked in brand communications and stopped painting for close on twenty years. Then an unfortunate health trauma made him seriously consider what he really wanted to do, and he started painting again. He started painting small works mostly of animals which formed the basis of his first solo show in 2003 titled 'The Taxonomy of non endangered Species' at Gallery Moja in Johannesburg. Following this, he has contributed to numerous group shows in Johannesburg and Cape Town. Large solo in 2021 and during Covid perfected his understanding of ceramics now his chosen medium. He has works in public and private collections in Australia, America, Argentina, Holland, Germany and UK as well as South Africa.
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